Sevil Dolmacı, founder of Sevil Dolmacı Gallery Dubai, discusses honing a vision and finding a distinct voice in the emerging art markets, about her evolving taste, and the importance of trusting your instinct to support creative young talents.

What do the first 30 minutes of your day look like, your morning routine?

I wake up early in the morning. On Mondays, Wednesdays, and Fridays, I do Pilates at 9am. On Tuesdays and Thursdays, I take a walk along Bebek’s waterfront. Around midday, I stop by the office for my meetings.

What are the key pillars of Sevil Dolmacı Gallery that set it apart from the rest?

Sevil Dolmacı Gallery stands out as the first gallery in the Middle East to focus on American contemporary art alongside Turkish art. What also makes us unique is our dedicated Digital Section, where we actively support various art projects and create opportunities for young talents, helping them find their place in the art world.

Sevil Dolmacı, founder of Sevil Dolmacı Gallery

How have your previous experiences as lecturer and consultant informed you in your current role?

Having a strong background in art history has been a key advantage in managing the gallery, setting me apart in the field. It has helped us gain momentum quickly and build a solid network of references in the industry. Combining deep knowledge with market dynamics has been a powerful asset, making international artists feel more confident and eager to collaborate with us – ultimately contributing to the gallery’s rapid growth.

Sevil Dolmacı Dubai is your first international outpost. Why is the Middle East market important?

The fact that it is a new and emerging market with a strong interest in art motivated us. The region’s investments in art and the establishment of museums were particularly important factors for us. Sevil Dolmacı Dubai currently showcases two design pieces Kengo Kuma and Daniel Weil.

“I am particularly drawn to abstract and minimal forms. At the same time, I enjoy incorporating colourful, popular forms to create a striking contrast”

How do you discover creatives you’d like to work with?

Kengo Kuma is the architect behind the OMM Museum in Türkiye. His artistic approach closely aligns with ours, which was the primary motivation for our collaboration. I am particularly drawn to abstract and minimal forms. At the same time, I enjoy incorporating colourful, popular forms to create a striking contrast. This is a strategy I apply in both paintings and design pieces.

What are some of the key principles that lead you in supporting new artists and exhibitions?

I value artists who have graduated from reputable art schools. Their perspective on art and their career planning are also significant factors. If an exhibition’s concept aligns with our vision, I contribute by providing our gallery space. In Türkiye, I am among the supporters of both the Venice Biennale and the Istanbul Biennale, as they are two of the most important international events showcasing Türkiye’s position in the global art scene.

Kigumi table by Kengo Kuma

What’s been key for you in building that authentic community around these exhibitions and projects you’ve worked on?

I deeply love and believe in art. Art collectors are influenced by my dedication and investments in the field, and they appreciate gaining knowledge about it.

As a creative, what role does the commercial aspect play for you?

One of the most crucial elements shaping art history is the ability to successfully manage the art business. I operate within a structured and sustainable model to ensure longevity and success.

What’s on the horizon for you and your brand?

We will be participating in Art Dubai with our Digital Section. At our Istanbul gallery, we are preparing for a group exhibition curated by Robert Fleck, featuring some of the world’s most prominent artists. It’s a truly exciting project for us.

This is The Design Issue – which design or artist has left an impression on you?

The collaboration between Alessandro Mendini and Peter Halley was a remarkable exhibition project that brought together two artists and designers I greatly admire.

April’s – The Design Issue – Download Now

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