Alia Al Shamsi, Cultural Programming Manager at Louvre Abu Dhabi, discusses pioneering and curating an expansive and engaging view of the art world and creating experiences that resonate with the regional and international community.
What do the first 30 minutes of your day look like, your morning routine?
This has been a struggle to answer as much as it was also a realisation, that I have no routine! There are days the snooze button is my best friend, while other times it’s waking up to the scratching noise of the dogs wanting to be let out, or rush to ensure my son is up in time for breakfast before school. But I can tell you the most heavenly 1 minute of that 30-minute chaos is coffee.
What inspired you to enter the art space?
I’ve always known that my path would lead me to the arts, but the journey to my specific role in this museum is quite special. Fifteen years ago, as a Masters student writing my thesis, I researched into the concept of the Louvre Abu Dhabi and pondered how an iconic Parisian museum could meaningfully contribute to the UAE and the region’s arts and culture landscape. Now, approximately seven years after the opening and as I reflect on my journey, I find that I can not only answer that question – central to my thesis – but I’ve also had the privilege of playing an active role in shaping its impact.
Louvre is a world-class cultural beacon. How does it feel to be a part of an institution with such a rich and storied heritage and how have you seen it evolve from strength to strength?
I travelled to see and study art, it’s a dream to be able to work in this field and to have unlimited access to works of art I studied and to be able to be part and contribute to a world and universal narrative. The strength we see is for all the passionate employees and visitors who continue the story of humanity whether being the source of inspiration on one that tells the story.
As the Cultural Programming Manager, what do you aim to achieve and what are the initiatives that are currently driving this?
To play a key role in the cultural conversation and witness our programme premieres making their mark on the global stage, contributing to the international cultural landscape.
![Curators' Talk - Cartier, Islamic Inspiration and Modern Design](https://sp-ao.shortpixel.ai/client/to_webp,q_glossy,ret_img,w_800,h_532/https://emirateswoman.com/wp-content/uploads/2024/09/Louvre-Abu-Dhabi.jpg)
Curators’ Talk – Cartier, Islamic Inspiration and Modern Design at Louvre Abu Dhabi
How do you balance the support for the local cultural landscape while inviting a global outlook?
The core of our Cultural Program lies in encouraging cultural dialogues, through public experiences such as film screenings, talks, dance performances, and music events. By bringing together global and local talents, we foster experiences of both and spotlight our shared humanity, celebrating the connections that unite us all.
What are the significant changes you’ve observed in the way Middle Eastern art and culture are perceived globally?
It’s truly an exhilarating time to be part of the arts and culture scene in our region, with the Saadiyat Cultural District, and its upcoming openings of world-class museums the promise is not only to enrich our local community but with a mission to impact the global stage of arts and culture. These cultural landmarks will proudly showcase and celebrate humanity’s artistic and cultural achievements, putting our region at the forefront of contributing to the global art and cultural dialogue.
What has been the most pivotal moment of your career so far?
At an international conference, I approached the museum director of one of the world’s most important institutions to introduce myself. To my surprise, he responded, “You don’t need to introduce yourself. We’re all familiar with your impressive achievements at the Louvre Abu Dhabi.” As an Emirati, Arab, Muslim woman, this recognition wasn’t just a personal achievement – it was a significant moment of pride and a testament to representing my nation on the global stage of arts and culture.
Alternatively, what have been the challenges and how did you overcome them?
I smile as I weigh the terms “budget cuts” against “becoming sustainable.” This challenge is not unique to me; we’ve all seen how the art and culture world struggled during COVID, with global funds running dry. However, this difficulty has prompted a shift towards sustainable thinking. The key lesson has been the power of partnership and collaboration with other institutions and entities. Not only have these collaborations brought fresh perspectives and enriched our programmes, but they’ve also allowed our team to gain new skills from one another. The ecosystem now feels more interconnected, and having col- leagues across various institutions creates a collective effort to enhance the arts and culture in the UAE and the region. Instead of working in isolation, we’re seizing opportunities for meaningful collaboration.
How do you hope to leave a lasting footprint on the arts and culture scene?
The true legacy I leave behind is my incredible team and the platform we’ve built to help local talent launch their careers. This country and its people have generously offered me countless opportunities, and my deepest hope is to pass that generosity forward, nurturing and supporting the next generation of talent.
Are there any upcoming exhibitions or activations that you’re excited about or proud of this year?
I am incredibly excited for the upcoming season, which will introduce a range of new experiences including the launch of a Culinary Secret Dinners inspired by our opening exhibition, Post Impressionism: Beyond Appearances. Then, following the success of Masquerave featuring Peggy Gou, we’re thrilled to announce its return with a fresh theme and a new DJ, perfectly aligned with our 2025 exhibition, Kings & Queens of Africa: Forms and Figures of Power.
How do you make time for yourself after a long day?
Whether it’s helping with homework, going for a bike ride, or watching a retro classic together (currently Monk), I truly cherish these moments with my son. After the lights go out, I unwind with some journaling, reading, yoga, and meditation.
This is The Visionary Issue – how do you see your role in creating and promoting Middle Eastern artists on an international stage evolving in the future?
I envision my role evolving into a catalyst for enhancing the global presence of Middle Eastern artists. My focus will be on creating more opportunities for collaboration and exposure on an international scale. This means not only promoting their work but also building bridges between local and global platforms. By doing so, I aim to ensure that the rich and diverse artistic expressions of the Middle East are recognised worldwide, contributing to a more inclusive and dynamic global cultural landscape.
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Images: Supplied